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Voyage à Bazoulé

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One of the things I hadn't done until yesterday was really explore the wildlife of Burkina Faso. While there are no lions or giraffes or many animals that one thinks of when one thinks of Africa, Burkina is home to elephants, camels, and crocodiles. There are parks that you can go to all over the country to see these animals. A friend of mine is teaching at a high school that is only 25 km from Ouaga and is not far from Bazoulé, home of some of Burkina's sacred crocodiles. He saw the RWA book about Bazoulé, and decided that since he was not far from there that we needed to check out "Pierre" and his friends.

We decided to take advantage of the long weekend (December 11 was one of Burkina's independence day holidays) and trekked out with a couple of our friends to the "Mare aux Crocodiles à Bazoulé." We went early in the morning, which turned out to be a good idea because as we were leaving the place started to get really crowded. Upon arrival, you pay your admission and buy a chicken (to lure the crocodiles out of the lake). A guide took led us around the water, leading us to the different places where we could see crocodiles. Most of the tour is concentrated around a large body of water. Ther are also a few other pools where the crocs hang out. The guide told us that the crocodiles move between bodies of water by crossing the street and that local kids even bathe in the water with the animals! He said that no one has ever even been bitten by one of them! At one point we saw a group of sheep grazing by the water's side, with crocodiles nearby, taking no notice at all!

Our first stop was a crocodile who was all alone by a small pool. We all crouched over him and lifted up his tail. He was so docile that it almost seemed as though he was dead. We poked at him, at the encouragement of our guide, but he didn't even flinch. After this, we moved on to a spot where several crocodiles had already come out of the water. We each took turned lifting up one of the crocodile's tails, as the guides beat back with a stick the crocodiles that were trying to come up out of the water. I was so scared to go down, and then as I approached the beached crocodile, one came up out of the water suddenly with his mouth open! Much to the amusement of the crowd around the water, I ran away screaming. We saw the oldest crocodile in the park, and the guide said he was 70 years old. We saw little babies, but they were too fast for us to get pictures of. As we were leaving, we were able to go in and take pictures with the tortoises, the oldest of whom was 90 years old and didn't really look like he got around much anymore. The very last stop was a restaurant, with ridiculously overpriced food, which we decided to skip in lieu of eating on the cheap at home. It was a really fun trip (although the place was a bit touristy for my taste), and it's always fun to discover new corners of Burkina.


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Welcome to Bazoulé!

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The guides enticed the crocodiles to come out of the water with chickens tied to a stick. The chickens were then offered as treats to the crocodiles. Unfortunately, their method of detaching the chicken from the stick and throwing it at the crocodiles seemed a bit inefficient since the panicked chickens ran so much faster that the giant lumbering crocs. They had to throw the chickens back five or six times before they were actually caught!


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This guy is smiling because he just finished his feathery feast.


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I was slightly concerned that the docility of the crocodiles was just an act before they turned around and snapped your hand off!


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There were also tortoises, the oldest of whom was 90 years old and didn't really look like he got around much anymore. The tour ended at a group of boutiques selling artisan crafts that are staples in Burkina - statues, tapestries, beaded jewelry, hand-drawn postcards and drums.
Interview with David Pace Winner, Daylight/CDS Photo Awards Work-in-Process Prize.  The full interview is here.  Very interesting.  Great photos.  Look carefully... in one of them a guy is wearing a typical full-on Barack Obama shirt!

The images in Friday Night seem formally quite different from your other work, such as Re: Collections, or even the series Kiosks and Market Day from Burkina Faso. Would you agree?

You are quite right that the images in Friday Night are different from my other work. I am by nature very formal in my approach to composition. I favor simplicity and symmetry in an attempt to foreground my subjects, whether they are people or objects, and emphasize their similarities and differences. This is clear in the Re: Collections project and in the Kiosks portfolio. Both are classic typologies in the tradition of August Sander and the Bechers. I think my African portraits fall into this category as well.

But I also like to experiment with the element of chance and challenge myself to move outside my comfort zone. That is what is behind Friday Night. I am literally shooting in the dark. I can see my primary subjects dimly, but the background of each image is unseen until my flash fires. Everyone is in constant motion, including myself, so every image is a surprise. The juxtaposition of contorted bodies, hands and feet, shadows and expressions is not something one can predict.

Another thing that distinguishes Friday Night from my other work is that I am an active participant in the process rather than an objective observer. I am caught up in the music, moving and sweating alongside the other dancers, reacting and interacting. This was not possible the first two or three times I visited Bereba. I had to get to know the villagers and earn their trust. I now feel very much at home in the village and an insider at the dance. Everyone expects me to make photographs and they are delighted with the results. I should add that I take back and distribute all the images that I make on each subsequent trip. I have more than 500 prints that I'll be handing out when I visit Bereba in December.

David Pace Friday dance photos on exhibit in San Francisco

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You Look Familiar Presented by the SFAC Gallery Art in City Hall Program and PhotoAlliance

Opening Reception: Thursday, October 6, 5:30-7:30 pm
Exhibition Dates: October 6, 2011 - January 6, 2012
Location: San Francisco City Hall, ground floor

The SFAC Gallery Art in City Hall Program, in partnership with PhotoAlliance invited submissions of photographic works from Bay Area artists that explore what it means to be part of a group, culture or association. The work included in the show depicts groups of people who share activities, identities, locations or some form of common ground. How do we look familiar to the people who share our passions and interests? From fashionistas to sports fans, and from mountain climbers to rockabilly swing dancers, how do we identify people who look familiar to each other? If familiar faces are not present in the photographs, what kind of residues do groups leave or what objects could be attached to a place as a signifier of a shared activity or event?  What kind of places or objects define a group?

FAVL-RWA books the super hit of the libraries

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We can't say enough about how much kids like these photo books produced through the Santa Clara University Reading West Africa study abroad program.  Except that we need your help to print more and make them widely available.  Consider approaching someone who has the means, and ask them to make a large donation ($5,000) so we can print books and distribute them to all the public libraries in larger towns in Burkina Faso!

(Photo: David Pace, Children in Bereba village hold RWA books, 2010)

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FAVL Awarded Grant to Publish Books in Burkina

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The Northern California Peace Corps Association awarded $2000 to FAVL to publish books for the libraries in Burkina! Each year the NorCal PC Association funds community development projects around the world. The project must be technically and economically feasible; improve the welfare of the community as well as address its needs; ensure benefits to all those involved; facilitate technical and practical knowledge to others and foster self-sufficiency. This year, 12 applications were submitted and 6 projects received a total of $6515 - and FAVL Burkina was one of the projects fortunate enough to be chosen!

We're very excited about the grant and are looking forward to publishing more books for our libraries!


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Warren Boureima Saré, photographe au Burkina Faso

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Article sur l'etat de la photographie au Burkina Faso:

L'homme s'est fait un nom dans la photographie burkinabè. Aujourd'hui, Warren Saré veut exporter la photographie burkinabè, à travers la création de son Centre de photographie de Ouagadougou (CPD), et surtout une caravane de l'image jusqu'à Bamako.

Sidwaya (S) : Comment se porte la photographie burkinabè ? Warren Saré (W.S) : La photographie burkinabè ne se porte pas bien. Parce qu'elle est absente des instances de la photographie mondiale. En dépit des efforts, deux photographes, Seydou Dicko et Nestor Da essaient d'être sur la scène internationale. La photographie burkinabè peut s'imposer sur la scène internationale, si nous avons des acteurs convaincus qu'ils peuvent à travers leurs appareils, contribuer au développement de leur pays.
David Pace has won the 2011 Daylight / CDS Photo Work-in-Process Prize for his Friday Night series.  From the website:

pace-boy-with-shirt-sleeves-382w.jpgIn recognition of a mutual interest in documentary and fine art photography, Daylight Magazine and the Center for Documentary Studies started an international competition in spring 2010, the Daylight/CDS Photo Awards, to honor and promote talented and committed photographers, both emerging and established.

The full panel of jurors will choose one First Prize Winner. Each Guest Juror will also select one photographer to receive a Juror's Pick Prize and write a short statement about why he or she choose the work. 

The First Prize Winner will be featured in print in Daylight Magazine and CDS's newsmagazine Document, as well as in Daylight and CDS online galleries and be part of a group exhibition at the Center for Documentary Studies.

Congratulations David!

Image: From Friday Night. Photograph by David Pace, 2011




Photobooks arrive in Burkina

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We recently received the photobooks created by last year's RWA group and I've truly been enjoying going through them all. Some have very engaging story lines and absolutely beautiful photographs. What I love most is that several of the books are not only fun but quite educational. I can easily see nurses at health clinics using Coughlin's "L'hygiene pour tout le monde!" and Lobodzinski's "Ou trouver de l'eau" to educate children on proper hand-washing techniques and clean water sources. Or primary school teachers using Read's "Les Adjectifs," Brown's "Le livre des formes et des couleurs" and Melvin's "Les arbres du village" to accompany class lessons.

Albertson's "Qui veut chanter? Le Vagabond et A La Forge" and Goodloe's "Devinettes!" are absolutely perfect for librarians to use during song and riddle activities at the libraries.

Overall, a great batch of books that we'll soon be sending down to village!


The books are available for purchase here!


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Yoni, from Burkina Faso

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Kathy Knowles' new books

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FAVL received some wonderful new books from Kathy Knowles of Osu Children's Library Fund.  We sent them off the Ghana for the libraries in Bolgatanga area.  But one foto struck me- the orange cap belongs to our wonderful FAVL/RWA driver Francois.  See Kathy's complete catalog here.

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FAVL Blog

Books, reading, and libraries relevant to Africa by Michael Kevane, co-Director of FAVL and economist at Santa Clara University.

Other contributors include Kate Parry, FAVL-East Africa director, Peace Corps volunteer Emilie Crofton, Krystle Austin, Elisee Sare, and Monique Nadembega.

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